Vol. 6 No. 2 (2026): Visual Methods for Exploring Communication through Creative and Multimodal Perspectives

• Visual methods for researching communication from creative and multimodal perspectives

  Fernando R. Contreras Medina, Ricardo Ignacio Prado Hurtado, Charles-Alexandre Delestage, Alba Marín Carrillo
• Foreword

  Ana Filipa Martins, Susana Costa, Patrícia Dourado

• Inteligencia Artificial Aplicada a las Ciencias Sociales Artificial Intelligence Applied to the Social Sciences: An Analysis of Algorithmic Visualities and Subjectivities on TikTok

  José Manuel Romero Tenorio, Davide Riccardi, Adriano Díez Jiménez
• The Legacy of Women Designers in the Canary Islands: Articulating a Collective Voice through Visual Methodology Una metodología visual para articular una voz colectiva

  Noa Real García, Arianna María Fanio González, Alicia Eva Morales Pereyra-García
• Social Media 2: Line, performative drawing and immersive experience with 360 video Line, dibujo performativo y experiencia inmersiva con vídeo 360

  Cecile Meier, Madeleine Lohrum Strancari
• Visual ethnography with 360° camera applied to the K-pop phenomenon in Mexico City: public space, heterotopias and ethics of responsibility Espacio público, heterotopías y ética de la responsabilidad

  Rogelio Del Prado Flores, Rebeca-Illiana Arévalo-Martínez
• Experiencing the atmosphere of a public space to better understand it

  Natacha Cyrulnik
• Untaken Photographs The Personal and Relational Value of Field Photography among the Kággaba Community

  Jaroslava Šnajberková, José Bidarra, Mirian Tavares
• Material Language, Situated Vision Mirella Bentivoglio as a Methodological Model for Visual Research

  Marzia D’Amico
• O oculto como dispositivo metodológico Occult as Methodological Device: Spectral Presence and Regimes of Visuality in Anita Malfatti’s Dora (1934)

  Ana Andreiolo
• From Carnival to Urban Tactics: Visual Methods and Film Analysis in La ilusión viaja en tranvía Métodos visuales y análisis fílmico en La ilusión viaja en tranvía

  Isabel Lincoln Strange Reséndiz
• Antimonuments in Mexico: Visual Fractures as Tactics Against Official Memory Fracturas visuales como tácticas frente a la memoria oficial

  Alberto Ruiz-Méndez, Adolfo Ángel López-Morales, Gabriela Lizette Galindo-Martínez

Varia

• From State Mandates to Indigenous Expression Cultural Ecology and the Evolution of Sanjiang Dong Farmer Life Paintings in Modern China

  Na Yang, Metta Sirisuk
• Between Reproduction and Creation The Intersection of AI and Art with Midjourney

  Eduard-Claudiu Gross, Alicia J. M. Colson
• Mobile Homes and Caravans in the Algarve Migrant Housing, Land Occupation, and Digital Mediation

  Sílvia Leiria Viegas
• What objects make us do: communicative practices and the production of place in urban markets Práticas comunicativas e produção do lugar nos mercados urbanos

  Zara Pinto-Coelho, Helena Pires
• Between legitimacy and vulnerability Mapping empirical fact-checking research in Portugal, Spain and Italy (2020–2025)

  João Pedro Baptista, Francisco Conrado Filho, Rubén Rivas-de-Roca, Fábio Ribeiro, Concha Pérez-Curiel
• Spanish Sportswomen in Social Networks: Presence and Visibility in a Digital Environment Presencia y visibilidad en un entorno digital

  Francisco Javier Herrero Gutiérrez, Nadia Alonso-López
• Developing the Conception and Quality of Learning through Literature and Cinema

  Joana C. B. Gonçalves, Inês P. M. Soares, António M. Duarte