The Concepts of Film Language and Style in Film Theory
Resumo
The analysis of film language and style is particularly relevant in helping filmmakers adapt to the changes brought about by globalisation and digitalisation, enabling them to better understand and reflect cultural and social trends. The purpose of this study is to identify key stages in the development of film language and style and their impact on the creation of meaning in cinematic works. To achieve this purpose, a comparative analysis of cinematic techniques from different eras is conducted alongside a retrospective analysis to highlight the major stages in the evolution of film language and style and their influence on the construction of meaning in films. Film language, through its combination of framing, editing, and sound, shapes the emotional atmosphere of films. The evolution of film language, from silent cinema to the advent of sound, significantly enriched narrative techniques and stylistic approaches, incorporating complex dialogue and musical accompaniment. Technological advancements, from the introduction of sound to colour and digital imaging, have broadened directors’ ability to create meaning and exert emotional impact on audiences. Stylistic shifts, such as the transition from realism to modernism, have had a profound effect on how films are perceived and interpreted by audiences. Cultural and national contexts have shaped distinctive elements of cinematic works, reflecting the social and cultural characteristics of different countries. A feminist approach has revealed the gender dynamics in cinema, uncovering the influence of stereotypes and offering new perspectives on the portrayal of women and men in film. Films have played a crucial role in shaping and transmitting cultural values, fostering cultural exchange and social development through visual art. The need to analyse the impact of new technologies on cinema in various cultural contexts highlights the importance of future research and underscores the deep influence of cinematic techniques on society and culture.
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Direitos de Autor (c) 2025 Yerzhan Jumabekov, Baubek Nogerbek, Gulnara Mursalimova, Dinara Boribayeva, Aizhan Izimova

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Artigo aceite em 2025-01-31
Artigo publicado em 2025-02-27